); and “Saint of Circumstance” is a riff-heavy and ultimately anthemic rocker, which also has some unpredictable components. Pretty faithful to the Dead version, in my opinion. Los Dead interpretan el clásico "Peggy O". Scarlet Begonias -> Fire On … So, live recordings it is. 15. Always a winner pre-hiatus (i.e. Because that’s where the magic happened with this band. “Hard to Handle”August 6, 1971; Hollywood Palladium, California. It’s difficult to fathom why this lilting, bopping tune was only played during 1973 (and once in ’74), then dropped until 1992. 44. You will receive a verification email shortly. Write about official releases of live Grateful Dead music, … At this show it comes out of 30-minute “Dark Star,” so it feels like it has a little extra juice and sparkle to it. Available on30 Trips Around the Sun. Seventies pick: Boston Music Hall, 6-9-76. “Shakedown Street”June 30, 1985; Merriweather Post Pavilion, Columbia, Maryland. Instead, the boys drift into an unconnected spacey jam, then “Drums,” “Space,” a fantastic “Playing in the Band” reprise, and then back to the “Uncle John’s” vocal reprise; stunning! A couple of final notes: The songs are listed in chronological order by performance date. 14. Dig that clavinet! Guitar World is part of Future plc, an international media group and leading digital publisher. Created as a counterpart to their 2015 two-disc Best of the Grateful Dead studio collection, … 33 versions. After the Grateful Dead's retirement, "Eyes of the World" remained in their line-up, but they eliminated the ending, which is a significant part of the song. This song/jam was only around for about two years, but what a glorious run it had! Acclaimed reggae-rock group Roots of Creation is proud to release their acoustic version of the Grateful Dead’s “Standing on the Moon,” marking the song’s 30th anniversary.The accompanying music video features live liquid light artist Brain Davidson, giving the stripped down song a nod to its psychedelic roots. 8. Warner Bros. Records released the Dead’s debut album, The Grateful Dead – a sonically brittle, high-speed version of the group’s stage act and songbook – on March 17th, 1967. 1. Look for the “SteveSW” soundboard recording on archive.org. Eighties pick: Santa Fe 9-10-83 (“Slipknot!”). Brent would sing the first verse alone, Garcia would go wild between verses, and then sing the second verse as a duet, followed by more fiery leads, and in some cases—as in this incendiary version from 1989 (one of the Dead’s best years), go into the “Na-na-na” coda of “Hey Jude,” with Brent singing “Mr. This one was vaultkeeper Dick Latvala’s favorite, a big reason he chose the show as Dick’s Picks Vol. 4 No. Available on Dick’s Picks Vol. 50. © 15. 3, and it’s hard to argue against its greatness. 4, a patch from an audience-made recording was added, and it’s still the best there is. I really love all the peppy [keyboardist] Brent Mydland–era “China-Riders,” too. 36. This one comes out of a fantastic “Estimated Prophet” and quickly rolls up to cruising speed and becomes very powerful; and the post-song jam is a thing of beauty, with Weir on tasteful background slide for some of it, before it eases into “Drums” (featuring Brazilian jazzers Flora Purim and Airto). “Feel Like a Stranger”August 10, 1982; Fieldhouse, University of Iowa, Iowa City, Iowa. I’ve rarely encountered a “Wharf Rat” I didn’t love—which is good, because they played it a lot. “Dancing in the Street”May 2, 1970; Harpur College, Binghamton, New York. “New Speedway Boogie”May 14, 1970; Meramec Community College, Kirkwood, Missouri, The Dead played this only in late 1969–70, and then again from ’91 (at the outset of the first Gulf War) until ’95. Because that’s where the magic happened with this band. The version 10 days earlier from Des Moines, Iowa, (6-16-74) has a slightly better “China Cat” and a cooler between-songs jam, but Providence has a fantastic long intro to “China Cat” and better “I Know You Rider,” so we’re going with that choice. By 1969–70, it had expanded to a big jamming number, with all sorts of great R&B riffing (a quote from Archie Bell & the Drells’ “Tighten Up”!) Available on Dick’s Picks Vol. Here, it drifts evenly for a while, then picks up steam and rides high, before settling back down and eventually chiming into “The Other One.” Available on Red Rocks: 7/8/78. 14-13. It always built to a couple of nice peaks—the first instrumental and then the vocal coda (“Across the Rio Grande-o…”) and ending solo. [Godchaux keyboards]—but it has almost no Pigpen verbal riffing on it, so it’s not fair to choose it as the version. “Turn on Your Love Light”January 26, 1969; Avalon Ballroom, San Francisco. Thank you for signing up to Guitar World. You can’t lose with any ’72 “Playing in the Band” (it was featured every night on the European tour), but this justifiably famous version has an acid-drenched, edge-of-chaos vibe that that makes it completely gripping for every second of its 23 minutes. 5. Impecable versión. 4 No. “Comes a Time”May 9, 1977; War Memorial, Buffalo, New York. Available on Dick’s Picks Vol. So many contenders! The individual musicians in the Grateful Dead were never poll winners in music magazines, yet you would be hard-pressed to find a rock group with a core so adept at playing so many different styles—and always in an improvisational context. This version of the suite is spectacular, and leads to a long jam where Billy Kreutzmann takes the “Let It Grow” pulse and drives it frenetically in jazzy directions, with Garcia’s wah-wah and Keith’s Rhodes sounding like electric Miles Davis. meltdown moments along the way; 32 minutes in all and truly epic! It’s big, loping and jammed to the max between verses with everything from fast, intricate runs to powerful fanning to gentle guitar etchings. and sinewy threads. Churning, sweetness, Phil bombs, space; it’s all here. Chosen by Phil for his Fallout from the Phil Zone compilation. 1 No. 30 versions. Available on the 30 Trips Around the Sun box. Phil really shines on this version, but everyone is on-point. With this song, it’s all about Garcia’s vocal delivery and swelling, crying solo after the verses, and this one delivers in spades! This powerful and diverse triumvirate had three distinct incarnations: ’75–’77, ’83–’85, and ’89–’95, while the bouncy “Franklin’s Tower” also enjoyed solo spins during the in-between periods. Bird Song - Live in Veneta, Oregon 8/27/72 Grateful Dead • Veneta, OR 8/27/72: ... Looks Like Rain - Live In London 1972 Version Grateful Dead • Europe '72 [Live] [Expanded] 7:37 0:30. Bird Song - Live in Veneta, Oregon 8/27/72 Grateful Dead • Veneta, OR 8/27/72: ... Looks Like Rain - Live In London 1972 Version Grateful Dead • Europe '72 [Live] [Expanded] 7:37 0:30. Available on Dicks Pick’s Vol. He covers a number of Grateful Dead songs in his live performances but his version of ‘China Doll’, originally called ‘The Suicide Song’, from the 1974 Grateful Dead … Nineties pick: Greensboro (North Carolina) Coliseum, 4-1-91. As with “Shakedown,” its success hinged on the meshing of different rhythmic lines from everyone in the band, with Jerry’s clucking envelope-wah dancing above Bob’s slashing chords. Of course, there is no true consensus on any of this, but it is fair to say that there is widespread agreement that certain versions of certain songs would probably make most discerning Deadheads’ lists. Available on Road Trips Vol. Torrent download: The highest rated live versions of the 50 most often rated Grateful Dead songs at headyversion.com. Brent-era pick: Oakland 12-26-79 (major “clam” notwithstanding). Visit our corporate site. The mini-suite from Anthem of the Sun, incorporating “Cryptical Envelopment” sandwiching “The Other One,” was at its best from 1968–70, with ’69 its best year, but this one is my longtime favorite, for its many incredible mood swings, peaks and valleys; just an amazing ride. “He’s Gone”May 26, 1973; Kezar Stadium, San Francisco. T his has nothing to do with great songs (like Ripple or Box of Rain), or great versions of songs (like Ruben and Cherise at Folsom Prison). headyversion ... we're on the search for the dankest versions of dead songs. Fantasy” in between the “na-nas.” Truly electric; Jerry goes off! And the fact is, this does go beyond 50: As you’ll see, for a number of tunes, there are second and third picks based on eras—songs such as “Dark Star,” “Playing in the Band,” “The Other One” and a few others changed radically from one period to the next (influenced by the change in keyboardists and other factors), so versions from each epoch get a nod. No collection should be without the superb 2013 set called Sunshine Daydream, which includes the full concert and also a DVD of the trippy, long-bootlegged-but-now-restored film of (some of) the event that gives the box its name. Nineties pick: Cal Expo 5-26-93—one of the band’s last truly great jams; the “reprise” comes later in the set. This rightly revered version is, alas, cut near the end on the soundboard recording, but when it was officially released on Road Trips Vol. What a great moment it was at any show when the first golden notes of “The Wheel” would emerge, float into the air, and point the way to that rousing sing-along. At this show, it closes an incredible second set, with Garcia and company reducing the place to rubble with the ending buildup—the mark of a truly great “Dew.” A pre-hiatus version to check out is Winterland (San Francisco) 10-18-74. ‘China Doll’ (2020) Billy Strings is the latest in a long line of young hotshot bluegrass musicians with his stage name a reference to his virtuosity on all stringed instruments. Introduced two days after “Victim” in 1988, this melodic Hunter-Garcia number (occasionally paired with “Victim”) provided a bouncy contrast, somewhat in the tradition of “Franklin’s Tower.” This version, as presented as a bonus track on the remastered Built to Last CD, is mixed so that every instrument is clear and loud—you can really feast on Weir’s imaginative rhythm lines and Brent’s synth washes. “Dear Mr. Fantasy”July 2, 1989; Sullivan Stadium, Foxboro, Massachusetts. The difficulty, of course, is narrowing it down to just 50. After all, hardcore Deadheads would argue that 50 versions of “Dark Star”—each different as can be—could be a list in itself. Warner Bros. Records released the Dead’s debut album, The Grateful Dead – a sonically brittle, high-speed version of the group’s stage act and songbook – on March 17th, 1967. 3 No. Nineties pick: RFK Stadium 6-14-91 (with Bruce Hornsby and MIDI Jerry) “Franklin’s Tower” alone: Cape Cod 10-27-79. 39. It almost falls apart, but the recovery is great! 40. If you’re looking for a song to play for non-Deadheads, go with this one. Available on Dick’s Picks Vol. 11. This Motown nugget [originally released by Martha and the Vandellas] was still relatively new when the Dead started covering it in 1966. The subtext of the Bonnie Dobson–penned folk ballad could not be more dire—the last man and woman on earth after a nuclear holocaust!—but in the Dead’s hands it was both delicate and filled with heavy pathos. Headyversion has 10/21/78 as the best version of “Stella Blue”. It combines a folk sensibility with its famous baroque-ish contrapuntal coda and crunching rock power. For me, and YMMV, 8/27/72 is the greatest version of Bird Song, along with being some of the best 10 minutes or so of GD history. This is one of the most famous Grateful Dead shows that has yet to receive an official release, but it’s surely only a matter of time. I believe it was played Saturday or … Discuss, vote on, and listen to the best versions of Deal by Grateful Dead . 2. “Terrapin Station”September 3, 1977; Raceway Park, Englishtown, New Jersey. I’ve probably listened to the 2-27-69 version immortalized on Live Dead, more than any other piece of music, so I am hopelessly biased about its greatness—the worlds it visits, its elastic rhythmic pulse, the riffs that were perfected this night, the overall flow of the thing. Discuss, vote on, and listen to the best versions of Touch of Grey by Grateful Dead . It just won’t quit—until it drops down into a devastating “Death Don’t Have No Mercy.” Available on Two from the Vault. “Scarlet” alone pick: Fresno 7-19-74. If spacey/strange is more your thing, look no further than this Seventies pick: Egypt 9-16-78 (no third verse or vocal coda, but jamming galore). Surely there are multiple versions of each that fit those categories. 12. 31. Available on Dick’s Picks Vol. 11. It is a good example of what Dark Star can do, but is just in the wrong sequence of songs … It … This one, clocking in at 19 minutes, is just about flawless in every respect. The song part is fairly similar one to the next, but the two jams at the end are where the fireworks occur. Choose a hot song below to get started on your heady journey. Created as a counterpart to their 2015 two-disc Best of the Grateful Dead studio collection, The Best of the Grateful Dead Live includes highlights culled from the band's commercially released concert albums on the Warner Bros. and Arista labels as well as a handful of live selections from their own personal archives. “Sugaree”May 22, 1977; The Sporatorium, Pembroke Pines, Florida, Again, lots of great choices from 1977. direct download link. 3. Many Grateful Dead songs develop with time, but perhaps the best and most consistent versions of this song were during the spring '73 tour in which the song debuted. “Weather Report Suite”/“Let It Grow”August 4, 1974; Philadelphia Civic Center, Philadelphia, Pennsylvania. This song was always much more rockin’ and intense in a live setting than you might expect, and many versions in the early Seventies stretched out nicely under that fast, shuffling beat. They're also one of the most influential jam bands of all-time. So why not have “Sugar Magnolia” here? “Cassidy”March 28, 1985; Nassau Coliseum, Uniondale, New York. This version is the titan of them all! First on Weir’s solo Ace album in 1972, but not played regularly until 1976, this is another one that fully matured in the Brent era, thanks to his solid duet vocals and the more variegated jam near the end. Here, the harmonies are fine, Garcia’s lead vocals are deep, and his playing outrageous and spectacular on the two concluding jams. ), but consistently fine for more than 20 minutes. It could be argued that this heavy, affecting ballad, introduced in the summer of 1972, is the single most perfect work that Garcia and [lyricist] Robert Hunter ever wrote, its power never diminishing through the years. Seventies pick: County Fairgrounds, Veneta, Oregon, 8-27-72. “Estimated Prophet”July 8, 1978; Red Rocks Amphitheatre, Morrison, Colorado. 43. It is incredible that they would play this song 232 times from 1967 to 1994 and each version would sound quite different from the one that preceded it. Admittedly, my favorite “Love Light” is the one from Frankfurt, Germany, 4-26-72 (first released on Hundred Year Hall), on which the band is unflaggingly spectacular—go Keith! One of my longtime favorite Eighties versions is from Oakland Stadium 7-24-87, found on View from the Vault IV. Indeed, the events of that year seem to have both rekindled the ardor for the group’s music in many Deadheads who dropped off the psychedelic bus following Jerry Garcia’s death in the summer of 1995, and also brought in many new fans who never had a chance to see the band but are attracted by the Dead’s amazingly diverse and appealing songbook, and the colorful, upbeat, Sixties glow that will forever surround the group. Discuss Grateful Dead lyrics and provide some for their most famous songs. Dark, passionately sung, with a wonderful, if brief, slide guitar solo, and then a completely rip-roaring finale that keeps on building to a sustained climax before it lurches into “Sugar Magnolia.” Look for the soundboard recording on archive.org. 6. It’s a good one for sure. After about 11 minutes of floaty, drifty goodness leading up to the first verse, the jam gradually accelerates and starts to go more “out,” as Phil signals a shift to a mid-tempo cruising altitude, then does it again a few minutes later for a long spacey stretch. 10. Feelin' Groovy Jam. 18. “Good Lovin’ ”January 2, 1972; Winterland Ballroom, San Francisco. 5. For a Nineties pick, let’s go with Giants Stadium 6-17-91, which really shows what pianist Bruce Hornsby brought to the mix in that era. Future Publishing Limited Quay House, The Ambury, 29-28. Available on Europe ’72 Vol. 3. List of the best Grateful Dead songs, ranked by fans like you. The other one I … Eighties pick: Frost Amphitheatre 10-10-82. This version is one that could reasonably be called a consensus choice—almost everyone thinks it’s easily the best they played. Scarlet Begonias -> Fire On The Mountain. Garcia at his best, ISN'T solo. Nobody sounded quite like Garcia (often imitated, never duplicated), and the same could be said of Bob Weir, whose designation as a “rhythm guitarist” is hopelessly inadequate given the sophistication and depth of his playing. Are you picking up a trend here? 9. From the Eighties, it’s hard to top Augusta, Maine 10-12-84. Grateful Dead - Loser Below you'll find a user-submitted list of the best Grateful Dead Loser. We’d love to stay in touch, sign up for the Guitar World team to contact you with great news, content and offers. Recommend favorite versions of each song from different shows. Listen to Grateful Dead - Best Ever Versions now. This very spacey extended version is unlike any other they ever played. “Help on the Way” > “Slipknot!” > “Franklin’s Tower”June 9, 1977; Winterland Ballroom, San Francisco. 5. Available on the Spring 1990 (The Other One) box. Though the single saw The Grateful Dead reach some wider audiences, Garcia was particularly let down by Warner Bros.’ cut of the single and called it “an atrocity”. Nineties pick: Hamilton 4-22-90 (tight, great MIDI Jerry). Listen to Grateful Dead - Best Ever Versions … My favorite version in that style is the long, ultra-funky one from Cape Cod Coliseum, 10-27-79, just the second time Brent played it live. “Eyes of the World”August 6, 1974; Roosevelt Stadium, Jersey City, NJ. 26. 37. My favorites are from ’76-’77, with Donna on sweet harmony vocals and Keith adding little piano touches to the spare arrangement. Grateful Dead are synonymous with the psychedelic subculture of the '60s and '70s, and are known for their epic-length live performances. The Grateful Dead Live/Dead (1969) This Dark Star has been dulled by the poor preparation that the listener has to the space they will enter into on this one. This was the year that “Bird Song” really blossomed; from here on out it was a cherished jamming vehicle (usually) in GD first-sets; not as common as some, but always welcome when it flew in. 47. As the saying goes in the Dead universe: “All killer, no filler!”, 30. We’ve dug deep into the archive and listened to countless live versions of these songs to find the best, most definitive live performances. Years of live performance it down to just 50 dissonance/weirdness ensues at around 30 and. In different influences and forged his individual style Estimated Prophet ” July 8, 1977 ; Raceway,., 1969 ; Fillmore West ( San Francisco ] was still relatively New when the Dead ’ s X-factor... 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